Preliminary study and report on the state of conservation of the façades at the Biblioteca Nacional and Museo Arqueológico Nacional. Madrid. Ministerio de Cultura.Subdirección General del I.P.C.E. 2009 / 2010.

Preliminary study and report on the internal surfaces of the church at the Monasterio de Gloria. Casbas. Huesca. Gobierno de Aragón. Departamento de Educación, Cultura y Deporte. 2007.

Preliminary study and report on the Wall painting decoration at the Ntra. Sra. de Loreto Chapel at Cantavieja. Teruel. Gobierno de Aragón. Departamento de Educación, Cultura y Deporte. 2005 / 2006.

Preliminary study and report on the polichromated wooden ceiling "Tanto Monta” at the Palacio Episcopal Viejo at Huesca. Ministerio de Cultura. Subdirección General del I.P.C.E.. 2008.

Preliminary study and report on the Altarpieces (Mayor, San Nicolás and Virgen del Rosario) from the Church of Saints Justa and Rufina at Maluenda. Zaragoza. Caja de Ahorros de la Inmaculada. 2006 / 2007.

Preliminary study and report on the wall paintings from the vault and presbytery in the capilla del Cristo de la Iglesia at Villalbilla. Alcalá de Henares. Madrid. FTB. 2006.

Restoration project and study of the chapel and crypt of the Lastanosa family in Huesca Cathedral. Gobierno de Aragón. Departamento de Educación, Cultura y Deporte. 2006 / 2007.

Restoration project and study of the San Pedro side altarpiece of Iglesia parroquial de San Saturnino at Moneo. Burgos. Junta de Castilla y León. Consejería de Cultura y Turismo. 2006 / 2007.

Study and restoration project on the sculptural elements restoration of the Lonja at Palma de Mallorca. Govern de Les Illes Balears. Consellería d´Educació i Cultura. 2011.

Azud, Vivero y San Francisco fountains conservation project at Barbastro. Huesca. Comarca de Somontano. Barbastro. 2007.

Restoration project of the Santo Cristo chapel from the Alquézar Collegiate Church. Huesca. Gobierno de Aragón. Departamento de Educación, Cultura y Deporte. 2007 / 2008.

Restoration project of the wall paintings at San Martín de Cuartango Church, Sendandiano. Álava. Diputación Foral de Álava. Departamento de Euskera, Cultura y Deportes. 2007.

Conservation study of the decoratives elements, beaten-earth wallsand surfaces of the external facades of the Patio de los Naranjos. Sevilla. Cabildo Metropolitano de la Catedral de Sevilla. 2010.

Restoration project on the wall paintings of San Esteban Parish church at Almazorre. Bárcabo. Huesca. Gobierno de Aragón. Departamento de Educación, Cultura y Deporte. 2008.

Historical study of Huesca Cathedral main door. Coresal S.A. Ministerio de Cultura. 2005.

Preventive conservation project of the clothing collection of Museo de Teruel. Diputación Provincial de Teruel. 2009.

Restoration project of the nave, sacristy, choir and lower choir at Santa María de Dulcis chapel. Buera. Huesca. Gobierno de Aragón. Departamento de Educación, Cultura y Deporte. 2009 / 2010.

ártyco is integrated by conservators trained in several fields, such as architecture, infographics and history, with the contribution of petrologists, chemists, engineers, physics, biologists and archaeologists. ártyco offers a sound competence in human resources, experience, collective understanding and unity of criteria as the best guarantee for effective and successful results.

Every ártyco project, preliminary study and intervention on an object is based on two main premises: its cultural and documentary heritage and its artistic value. We examine the material and mechanical character of the object and we focus on the importance of plastic impression and the need to recognize the artistic style and its correct historical interpretation.

Any intervention will not be completely effective if previously the inner causes provoking the alterations in the object are not identified and if the theoretical knowledge needed for correcting them are not present. Not only knowledge directed at conservative interventions, but also all the considerations to ensure the preventive conservation demanded by the enviroment. In ártyco the artistic object is global entity aprehended from different points of view. Its conservation and restoration goes far beyond the simple ornamental surface. Actually, we deem as necessary to conceive it as something undissociated from the structural and plastic system to which it belongs. Only in this way it is possible to offer a honest, coherent and effective final result.